Then, if you want that vintage saturated fairy dust sound, insert your other additive EQs after the Pro-Q 3. The best way to use it, in my opinion, is to put a Fab Filter on every channel and do all of your subtractive EQ in it. And with adjustable slopes to help you target those hard to reach frequencies. Plus there’s a ton of curve shapes, from filters to shelves. I did a whole post here on how powerful mixing with the Pro-Q 3 can be. It’s also loaded with amazing features like mid-side processing, dynamic EQ, and a spiffy visualizer. And when you use EQ better, you don’t need any fairy dust. Unlike other plugins, it presents you with tons of extra information that allows you to be a better mixer.
It just lets you make smart, well-informed mixing decisions. You see, the Pro-Q 3 doesn’t emulate any legendary device, it doesn’t do saturation, it doesn’t have any magic fairy dust.
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